In my opinion, the horror genre has been pretty sucky since the 1950’s. Really, I don’t see how you can have a scary movie without cat people or The Creature from the Black Lagoon. Hollywood has gotten all obsessed with J-Horror and has been ripping off the Japanese fright style just like it ripped off the Hong Kong action movie fight choreography. They recently have gotten into the practice of begging some A-List actress to play the lead in this type of movie so that it seems “legit”. In this case they hired Princess Pouty herself, Renee Zellweger. I know this has been pointed out before, but Renee Zellweger looks like she is constantly sucking on a lemon. Perhaps her salivary glands produce lemon juice instead of saliva. That would be unfortunate, if true. Anyway, in Case 39, she plays a social worker who tries to save a little girl from her neglectful parents. As dictated by the formula, Zellweger is the last to know that it is actually the little girl who is evil. The parents are just trying to do the socially responsible thing by ridding the world of their sinister spawn. Of course, the little girl is evil/magic, and killing her doesn’t turn out to be so easy. She busies herself with the standard J-Horror creepy kid-type stuff, such as crawling on the ceiling like a bug, opening her mouth excessively wide, and twisting her body into unnatural positions. This behavior makes the girl invulnerable to croquette mallets, lawn darts, and paint cans, which happen to be the only things her parents have around the house to use as weapons. A priest is called, but his holy water has the unhappy side effect of making the girl gigantic and giving her tentacles lined with razor suction cups. The destructive rampage finally comes to an end when Zellweger serves the little girl/monster pancakes for the first time. It turns out the little girl’s evilness was the direct result of a sugar deficiency. Perhaps you’ll think that I have spoiled the movie by giving away the ending, but this is not the case. I have not told you what kind of pancakes were used! Anyway, I think the whole “J-Horror creepy kid” thing is pretty played out. If Hollywood really wants to terrify an audience, they need to make a J-Horror Creepy Kid vs. The Creature From the Black Lagoon movie. Now that would be somethin’!
September 29, 2010
September 14, 2010
Review: Devil
Trust me, you’ve never heard of the director or any of the actors in Devil and you never will. Seriously, this whole movie takes place in an ELEVATOR! So you have 5 people trapped in a small space, and whenever the lights go out, someone gets bitten by one of the other people in the elevator. They are all trying to figure out which one of them is doing the biting, and for some reason nobody suspects the big red guy with a pointy tail and horns on his head. That’s right, one of the people on the elevator is the Devil, and this still isn’t and open and shut case! I understand that people often try to be politically correct by not assuming things about people, but….it’s the DEVIL! There’s a little book called the BIBLE which tells all about how evil this guy is. I even think there is a chapter (John 3:16, maybe?) where it explicitly says that you shouldn’t ride on an elevator with Satan because of how likely it is that he will bite you. In a way, atheists are to blame for this awful movie. If it wasn’t for them, we wouldn’t have to pretend to give the Devil the benefit of the doubt just because he’s carrying a brief case and seems to be minding his own business. The rise of atheism seems to have a direct correlation with preposterous misrepresentations of Lucifer in cinema. Perhaps if Sarah Palin is ever elected president this will all change, and Hollywood will go back to making classics like Ben-Hur and The Passion of the Christ.
September 9, 2010
Review: Burger Time- The Movie
Sometimes Hollywood takes a break from rehashing old movies in order to make movie rehashes of popular video games instead. Most of the time these are based on action games, either involving zombies or big-breasted women with long braids. These modern games have life-like graphics and storyline formats that can keep addicts engaged for so long that they forget how to eat and piss. The stories they tell can easily be adapted into nice boring movies with over-the-top CGI effects. Old-school games, on the other hand, usually just feature a bunch of awkwardly moving shapes performing menial tasks. These tasks are often so nonsensical that it is hard to imagine how they could be turned into a coherent movie. What you should basically expect is that, aside from the title of the film and the names of some of the characters, the movie won’t have anything to do with the game.
One would probably assume that the plot for a movie called Burger Time would center around a chef at a restaurant, maybe working hard to impress a food critic or something. An equally predictable scenario might involve food coming to life when some kind of radio-active ingredient is added. You’d think it would take an absurd premise to make an audience believe in murderous hot dog and egg people. Surprisingly, Burger Time- The Movie doesn’t take place in a restaurant, and there is no explanation given for the existence of the food monsters.
Christian Bale stars as Peter Pepper, a Louisiana PI with a dark past. His only apparent link to the food industry is that he wears a chef’s hat instead of the typical double-brimmed Sherlock Holmes-type cap. Nobody questions this because they know he’s kind of insane, but they also know he gets results. Peter jokes that the TV show Monk has worked wonders for the public image of loony gum-shoes. In typical film noir fashion, the story begins with Peter being hired by a southern belle (Amy Poehler) who’s sister has recently died. Even though there were 25 bullets found in her sister’s back, police think the death was a suicide. Belle does not agree with this conclusion. She tells Peter how her sister had recently been hanging out with a gang of food monsters in the French Quarter. Peter knows this gang all too well- especially the leader, Mr. Egg. Their relationship is a part of Peter’s “dark past” that he refuses to talk about, which plays a pivotal roll in the film’s climax. Andy Richter gives a breath-taking performance as Mr. Egg, Don Cheadle plays his bodyguard Mr. Hot Dog, and Macaulay Culkin plays his estranged son Mr. Pickle. Given the studio’s insistence on using mascot-type costumes instead of CGI, the believability of the entire film essentially falls on the shoulders of these three brilliant actors. Director Penny Marshall, to her credit, did her part to overcome the limitations of poor production design by insisting on good, clean dialogue and subtle line delivery. Burger Time- The Movie is not big on action, it isn’t very funny, and it is not much of a drama. However, it does everything else exceptionally well. If every movie based on a video game was this good, I am certain the genre would surpass “remakes” as Hollywood’s choice of inspiration.
September 1, 2010
Review: Machete
The film Machete brings to mind a very interesting question: Who the hell is Danny Trejo? Answer: he plays that homely guy in Grindhouse. Didn’t see Grindhouse? Well, he also plays that ugly guy in Spy Kids. Hint: If there’s a grisly, leathery convict-type in a Robert Rodriguez movie, it’s definitely Danny Trejo. The guy has a face like a catcher’s mitt that someone dropped in a toilet, then dried off with a blowtorch. This, of course, is why we love him. The guy looks like he’s seen some hard prison time, which in fact, he has. He’s the real deal, and I can’t believe Stallone made Expendables without him. Unfortunately for Trejo, he got to be in Machete instead. Who needs twenty MILLION dollars when you can have 45 THOUSAND instead?
If you’ve seen even half of the 30-second TV trailer, then you really have all the information you need. Some crooked American bastard disrespects a leathery Mexican guy, and the leathery Mexican guy spends the rest of the movie trying to stab the American with a machete. In between gun fights and knife duels, “ole’ leathery” gets it on with Jessica Alba. Believing that a young, attractive girl like Alba would fall for a gargoyle in a denim vest is not the issue here. We’re all familiar with the “King of Queens” principle, which states that attractive women are attainable for any man who has ever picked up a football and thrown it to another man, regardless of his appearance. In Trejo’s case, it was probably a soccer ball, but I digress. The real problem with this film (in case you haven’t guessed) is that Jessica Alba is in it. Not only is she in the movie, but she’s “topfull” the whole time. If dumb male actors like Channing Tatum have to take off their shirts in movies, it’s only fair that dumb female actors have to also. Alba’s insistence on wearing clothes has ruined every movie she has ever been in, and the streak continues with Machete. The next time Danny Trejo has to be in a movie with a clothed Jessica Alba, he should demand a raise. Nobody should have to work under those conditions.